Film
Projects
My hope is that my work humbly submits to the beauty embedded in ordinary moments, quiet repetitions, miraculous details, and the emotional charge of stillness. I approach cinematography as an act of listening with my eyes allowing light, gesture, and environment to reveal what words cannot. My editing prioritizes rhythm, breath, and duration, shaping images that resonate alongside language rather than explain it. Rooted in a background of acting with a love of poetry, my practice is grounded in embodiment, vulnerability, and poetic documentary storytelling where slowness becomes a form of revelation. I move through my work as a restless seeker, making my presence tangible so that what is hidden within others may slowly come into view.
Feel It All
Feel It All is an experimental editing project created using only stock and archival footage, exploring the full emotional spectrum of human experience through image, sound, and voice. The piece is built around an original poem I wrote and performed, which serves as the emotional spine of the film. Through rhythm, juxtaposition, and tone, my goal in the edit weaves together grief and joy, heartbreak and hope, tenderness and reckoning. Drawing resonant inspiration from Mary Oliver’s The Summer Day, the piece reflects on presence, impermanence, and what it means to live a fully felt life.
